Helmed by Bristol sound co-founder Geoff Barrow, this scabrous if undernourished debut feature casts a critical gaze on 90s rave culture. Self-serving drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one key story turn, but it leads to a hilariously staged rampage on the forest trails that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
Game releases in British and Irish theaters from November 17.
